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1048 results found with an empty search

  • If I Had Legs I'd Kick You (2.2/10)

    I didn't get it. I dont understand how it has good reviews. I don't know how people enjoyed this. " With her life crashing down around her, Linda tries to navigate her daughter's mysterious illness, her absent husband, a missing person, and an increasingly hostile relationship with her therapist."

  • Eternity (9.1/10)

    I watched this film on a plane last night and ended up loving it far more than the general consensus. The acting is excellent, the cast is perfectly chosen, the story is emotionally rich, and the ending is deeply satisfying. Maybe it’s because I haven’t seen many great films recently, but it honestly felt like one of the best romantic comedies I’ve watched in years. " In an afterlife where souls have one week to decide where to spend eternity, Joan is faced with the impossible choice between the man she spent her life with, and her first love, who died young and has waited decades for her to arrive."

  • Rental Family (9.0/10)

    Brendan Fraser was fantastic in this role, and I’m surprised this one flew under the radar. The acting was strong, and the plot felt refreshingly unique,something genuinely different. I really enjoyed it, and the ending was good not great. "Struggling to find purpose, an American actor lands an unusual gig with a Japanese agency, playing stand-in roles for strangers. As he immerses himself in his clients’ worlds, he begins to form genuine bonds that blur the line between performance and reality. Confronting the moral complexities of his work, he ultimately rediscovers purpose, belonging, and the quiet beauty of human connection."

  • Dust Bunny (6.0/10)

    This film was okay, and I can understand why it’s getting good reviews, but it felt more like a children’s movie that adults can also watch. It’s hard to explain, but it just wasn’t for me. I lost interest in the plot almost immediately. I also thought the acting was weak, even though the concept itself was interesting. " Ten-year-old Aurora asks a hit man to kill the monster she believes ate her entire family. To protect her, he'll need to battle an onslaught of assassins while accepting the fact that some monsters are real."

  • Now You See Me: Now You Don't (6.7/10)

    I was a huge fan of the first film in this trilogy, but with each installment, the quality has steadily declined. At times, the movie felt overly cringeworthy, with characters constantly trying to one-up each other instead of having natural, believable interactions. The dialogue in particular was weak and often pulled me out of the story. What disappointed me most, though, was the ending. It felt unearned, as if it appeared out of nowhere rather than being properly set up throughout the film. Instead of carefully laying the groundwork and letting the conclusion grow naturally from what came before, the movie seemed to reveal all its justification at the last minute, making the resolution feel forced and contrived rather than satisfying. " The Four Horsemen and a new generation of illusionists join forces to steal the world's largest diamond from a South African mogul who heads an international crime syndicate."

  • Springsteen: Deliver Me From Nowhere (6.1/10)

    Jeremy Allen White delivers a strong performance, but the film itself feels incomplete. By focusing on such a short period of Bruce Springsteen’s life, specifically the making of Nebraska , the story becomes too narrow in scope. While it effectively captures the depression, darkness, and inner turmoil behind the album, it only hints at his creativity and passion without fully exploring them. As someone not deeply familiar with Springsteen’s background, I felt I learned very little about who he was beyond this isolated moment. I would have liked to see more of his journey into the music business, what early success looked like, and how his career evolved as he rose to national fame. " On the cusp of global superstardom, New Jersey rocker Bruce Springsteen struggles to reconcile the pressures of success with the ghosts of his past as he records the album "Nebraska" in the early 1980s."

  • The RIP (7.9/10)

    This new Netflix movie has a star-studded cast, with Matt Damon, Ben Affleck, and Steven Yeun headlining. While the production quality is high, it didn’t quite reach top-tier status for me. I enjoyed the premise, but much of the film felt slow until the final act, though the ending itself was strong and rewarding. I think it's a good movie today if someone asks but years from now this film will be forgotten. " A group of Miami cops discovers a stash of millions in cash, leading to distrust as outsiders learn about the seizure, making them question who to rely on."

  • King Ivory (6.5/10)

    This movie was the definition of fine. I don't recommend it but it wasn't a complete waste of my time. The acting and cinematography was average. Everything was average or even slightly below. " Presents an exposé on fentanyl trafficking and its effects on all walks of life, drawing on extensive research with law enforcement, gangs, inmates, migrants, and addicts."

  • People We Meet on Vacation (7.3/10)

    I heard this was originally a book, and since it’s a romance, it’s of course a bit cheesy but I still enjoyed it. The acting is good, and I like the plot. It’s an easy, enjoyable watch on Netflix but shouldn't be at the top of any lists . "Poppy wants to explore the world and Alex prefers to stay home with a good book, but somehow they are the best of friends. They live far apart, but for a decade they have spent one week of summer vacation together."

  • Not Without Hope (6.7/10)

    This was hard to judge because I’m usually drawn to intense true stories. However, this film suffered from weak acting and poor cinematography. With a bigger budget, it could have been much better. It’s a sad story, but one I wasn’t aware of before, and I’m glad I watched it. For some reason, I’m always interested in movies about people stranded in the ocean. "Four friends face disaster when their boat capsizes in the Gulf of Mexico. Battling massive waves, sharks, dehydration and hypothermia, they cling to hope as Capt. Timothy Close and his Coast Guard crew launch a daring rescue through a raging storm to save them."

  • Regretting you (6.4/10)

    This wasn’t as bad as I expected, surprisingly entertaining, though a bit too corny for my taste, and the acting was rough at times. I can see why critics disliked it while the Rotten Tomatoes audience score was so high. Dave Franco’s performance carried the film whenever he was on screen; beyond that, much of it felt pretty cringeworthy to me. It didn't feel like a total waste of time and it had a solid ending "When a devastating accident reveals a shocking betrayal, Morgan Grant and her daughter, Clara, explore what's left behind as they confront family secrets, redefine love, and rediscover each other."

  • Steve (6.3/10)

    This was an interesting concept for a film, and Cillian Murphy’s performance was top-notch. The rest of the cast also delivered strong performances. However, the film’s style didn’t really work for me. While the subject matter was intriguing, it wasn’t engaging enough to hold my attention, aside from one particular character. " A head teacher at a reform school struggles to keep his students in line while also battling with his own mental health issues."

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