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- Over Your Dead Body (6.3/10)
This is a fun thriller, but it’s impossible to take seriously. The premise is so over-the-top that it never feels grounded, and the addition of even more eccentric characters only pushes it further into absurdity. As much as I enjoy Jason Segel as an actor, this role never felt like the right fit for him. His performance leans into the familiar comedic style audiences expect, but it doesn’t add enough to elevate the material. A different casting choice might have brought more balance to the film’s chaotic tone. While there are a few entertaining moments, the story never comes together in a satisfying way, leaving the humor and suspense competing instead of complementing each other. In the end, I wasn’t impressed, and this is one thriller that’s easy to skip."When miserable couple Dan and Lisa retreat to a remote cabin for a romantic reset, each arrives with a secret plan to kill the other. However, their carefully plotted traps and counterplots quickly unravel when strangers crash the weekend with plans of their own. As the toxic getaway spirals into chaotic carnage, Dan and Lisa must soon figure out if they want to save their marriage or survive it."
- GOAT (7.6/10)
A solid animated film that is clearly aimed at a younger audience. While it doesn’t break any new ground, it’s well-directed and tells a fun, easy-to-follow story that delivers exactly what you expect from start to finish. The plot is predictable in every way, but that doesn’t take away from its charm for kids and families looking for lighthearted entertainment. The animation and energy keep things engaging, making it an enjoyable watch even if it never surprises you. This feels like the kind of movie that will perform well at the box office and succeed as a standalone adventure. Personally, I think it works best as a one-and-done story, and creating a sequel would likely diminish what makes it enjoyable in the first place. "A small goat named Will gets a once-in-a-lifetime shot to join the pros and play roarball -- a high-intensity, full-contact sport that's dominated by the fastest, fiercest animals in the world. Ridiculed by his teammates, Will becomes determined to revolutionize the sport and prove that "small can ball!"
- The Drama (8.6/10)
This movie is absolutely sick in the head, in the best way possible. It’s the kind of film that stays with you long after the credits roll, leaving you replaying moments and questioning what you just watched for days. From start to finish, it creates a constant sense of anxiety that never lets up, pulling the audience into the characters’ emotional chaos. Maintaining that level of tension throughout the entire runtime is an impressive achievement and makes every scene feel unpredictable. The performances are outstanding, and I was genuinely surprised by how much I enjoyed the film. Its unique perspective and unconventional storytelling make it stand out from the crowd, delivering an experience that is both unsettling and deeply thought-provoking. It’s not a movie for everyone, but if you appreciate bold, original filmmaking, this one is hard to forget."An explosive confession throws the wedding of a seemingly perfect couple off the rails as they spiral to confront whether they can truly make it to "I do."
- Super Mario Galaxy Movie (5.5/10)
I wasn’t impressed by this sequel. The overall plot is exactly what you’d expect, but the execution feels lackluster and never reaches its full potential. Instead of growing with the audience that made the original such a success, the film leans heavily into being a kids’ movie rather than embracing the more mature, nostalgia-driven approach many longtime fans were hoping for. That choice may divide viewers, especially those who grew up with the franchise and wanted something that balanced family-friendly fun with callbacks for older audiences. It’s still entertaining enough for younger viewers, but it lacks the charm and excitement needed to stand out. If this is the start of a larger series, its future will depend on the direction it takes. Committing to either nostalgia-focused storytelling or a younger audience could help establish a clearer identity, but trying to satisfy both may leave the franchise feeling unfocused. "Mario and Luigi team up with Princess Peach and Yoshi to travel into deep space. They race to rescue Princess Rosalina, who is captured by Bowser Jr. as part of a plot to harness her cosmic powers and fuel a universe-destroying weapon".
- Remarkably Bright Creatures (8.1/10)
I was told the book was better than the movie, but I still really enjoyed this adaptation. It’s an easy, comforting watch with a heartfelt story and a solid ending, even if it leans a little cheesy at times. The characters are mostly likable, the emotional moments land well, and the aquarium setting gives the film a relaxing atmosphere that makes it easy to settle into. The story may not do anything groundbreaking, but it has enough heart to keep you invested throughout."Through unlikely bonds formed during night shifts at a local aquarium, Tova, an elderly widow, learns of a life-changing discovery that may bring her joy and wonder once again."
- What We Hide (3.7/10)
This was just a ridiculous film that I hope a lot of people dont press play on. The acting was below average, the story was more dramatic than it needed to be. "After their mom's fatal overdose, Spider and Jessie bury the body and soon begin to gain the suspicion of law enforcement. All the while, their mother's drug dealer continues to lurk. They fight to remain together amidst a strained system. How far will they go to keep their secret buried?"
- Thelma and Louise (8.7/10)
I loved this movie from start to finish. The ending especially stood out, and I can only imagine how bold and unique it must have felt when it first released. Even now, it still lands perfectly. The acting across the board is spot on. Geena Davis and Susan Sarandon have incredible chemistry together, and both performances feel completely natural and believable. Brad Pitt also leaves a memorable impression in one of his early roles. What surprised me most is how well the movie has aged. Nothing about it felt outdated to me. The story, performances, and emotional weight still feel just as effective today, which says a lot about how well it was made. "Meek housewife Thelma (Geena Davis) joins her friend Louise (Susan Sarandon), an independent waitress, on a short fishing trip. However, their trip becomes a flight from the law when Louise shoots and kills a man who tries to rape Thelma at a bar. Louise decides to flee to Mexico, and Thelma joins her. On the way, Thelma falls for sexy young thief J.D. (Brad Pitt) and the sympathetic Detective Slocumb (Harvey Keitel) tries to convince the two women to surrender before their fates are sealed."
- Marty Supreme (7.7/10)
The acting here was excellent, and the cinematography was easily one of the film’s strongest qualities. Visually, it absolutely looked like an awards contender. But despite all the technical strengths, the movie itself felt messy and all over the place. I never found the story particularly engaging, and it struggled to hold my interest for long stretches. I can understand why it received Oscar attention, but I’m glad it ultimately didn’t take home the biggest awards. For me, this feels like one of those heavily marketed films that generates a lot of conversation in the moment but won’t leave much of a lasting impression a few years from now. That said, I have to give credit where it’s due: the final 15 minutes were fantastic. The ending finally delivered the emotional weight and intensity the rest of the film was building toward, and it easily stood out as the movie’s strongest stretch."Marty Mauser, a wily hustler with a dream no one respects, goes to hell and back in pursuit of greatness."
- Heel (5.2/10)
Not a fan of this new thriller. The concept was strong, but the execution and story didn’t play out the way I hoped. It all felt a little too soft. The film sets up what seems like a much darker and more compelling direction early on, but never fully commits to it. That ended up feeling like a missed opportunity more than anything else. "A dysfunctional couple kidnap a 19-year-old criminal, chain him up in their basement and subject him to a violent and twisted rehabilitation process. As he complies with their relentless mind games, he frantically searches for a way to escape."
- 28 Years Later: The Bone Temple (8.5/10)
This movie leans darker than expected, but still manages to be a fun watch. As a continuation of the franchise, it takes a slightly different route, focusing more on a heavier, more unsettling tone compared to earlier installments. It’s definitely not a standalone film. Without seeing the first movie, a lot of this won’t fully land or make much sense. That said, the franchise as a whole seems to have found new life in the mid-2020s, with a noticeable step up in performance/cinematography quality. Ralph Fiennes is a standout here, delivering a performance that adds real weight to the film and helps elevate the material. In the end, it’s a solid continuation that pushes the franchise in a more intense direction. Not for casual viewers, but for fans of the genre and series, it delivers something a bit different while still staying within its roots."Dr. Kelson's groundbreaking discovery promises to change the world, but for Spike, an encounter with Jimmy Crystal spirals into a never-ending nightmare."
- Apex (5.1/10)
Charlize Theron continues to take on roles in films that feel more middle-of-the-road than memorable, and this one follows that trend. The movie itself is fine, quick, simple, and easy to get through. It delivers a basic level of suspense, but never rises above that.There are moments where the tension works, but nothing that really sticks or elevates the experience. It ends up feeling like just another entry in a crowded genre, without enough uniqueness to justify choosing it over stronger alternatives. "A grieving woman seeks solace in the wilderness only to become ensnared in a deadly game of cat and mouse with a serial killer."
- Ordinary Angels (7.8/10)
This is an inspiring true story, even if it’s unclear how closely the film sticks to the real events. Still, the emotional core comes through in a way that’s easy to connect with. The acting is solid across the board. Nothing particularly standout or award-worthy, but it absolutely gets the job done and supports the story well. Where the film really succeeds is in its emotional pull—it hits the right notes and builds toward an ending that feels satisfying and in line with what most viewers will hope for. In the end, it’s an easy, feel-good watch. It doesn’t go much beyond that or try to do anything especially bold, but it delivers a straightforward, emotionally driven story that works. "A struggling hairdresser finds a renewed sense of purpose when she meets a widowed father working hard to care for his two daughters. With his youngest critically ill and waiting for a liver transplant, the fierce woman single-handedly rallies an entire community to help."











