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- Now You See Me: Now You Don't (6.7/10)
I was a huge fan of the first film in this trilogy, but with each installment, the quality has steadily declined. At times, the movie felt overly cringeworthy, with characters constantly trying to one-up each other instead of having natural, believable interactions. The dialogue in particular was weak and often pulled me out of the story. What disappointed me most, though, was the ending. It felt unearned, as if it appeared out of nowhere rather than being properly set up throughout the film. Instead of carefully laying the groundwork and letting the conclusion grow naturally from what came before, the movie seemed to reveal all its justification at the last minute, making the resolution feel forced and contrived rather than satisfying. " The Four Horsemen and a new generation of illusionists join forces to steal the world's largest diamond from a South African mogul who heads an international crime syndicate."
- Springsteen: Deliver Me From Nowhere (6.1/10)
Jeremy Allen White delivers a strong performance, but the film itself feels incomplete. By focusing on such a short period of Bruce Springsteen’s life, specifically the making of Nebraska , the story becomes too narrow in scope. While it effectively captures the depression, darkness, and inner turmoil behind the album, it only hints at his creativity and passion without fully exploring them. As someone not deeply familiar with Springsteen’s background, I felt I learned very little about who he was beyond this isolated moment. I would have liked to see more of his journey into the music business, what early success looked like, and how his career evolved as he rose to national fame. " On the cusp of global superstardom, New Jersey rocker Bruce Springsteen struggles to reconcile the pressures of success with the ghosts of his past as he records the album "Nebraska" in the early 1980s."
- The RIP (7.9/10)
This new Netflix movie has a star-studded cast, with Matt Damon, Ben Affleck, and Steven Yeun headlining. While the production quality is high, it didn’t quite reach top-tier status for me. I enjoyed the premise, but much of the film felt slow until the final act, though the ending itself was strong and rewarding. I think it's a good movie today if someone asks but years from now this film will be forgotten. " A group of Miami cops discovers a stash of millions in cash, leading to distrust as outsiders learn about the seizure, making them question who to rely on."
- King Ivory (6.5/10)
This movie was the definition of fine. I don't recommend it but it wasn't a complete waste of my time. The acting and cinematography was average. Everything was average or even slightly below. " Presents an exposé on fentanyl trafficking and its effects on all walks of life, drawing on extensive research with law enforcement, gangs, inmates, migrants, and addicts."
- People We Meet on Vacation (7.3/10)
I heard this was originally a book, and since it’s a romance, it’s of course a bit cheesy but I still enjoyed it. The acting is good, and I like the plot. It’s an easy, enjoyable watch on Netflix but shouldn't be at the top of any lists . "Poppy wants to explore the world and Alex prefers to stay home with a good book, but somehow they are the best of friends. They live far apart, but for a decade they have spent one week of summer vacation together."
- Not Without Hope (6.7/10)
This was hard to judge because I’m usually drawn to intense true stories. However, this film suffered from weak acting and poor cinematography. With a bigger budget, it could have been much better. It’s a sad story, but one I wasn’t aware of before, and I’m glad I watched it. For some reason, I’m always interested in movies about people stranded in the ocean. "Four friends face disaster when their boat capsizes in the Gulf of Mexico. Battling massive waves, sharks, dehydration and hypothermia, they cling to hope as Capt. Timothy Close and his Coast Guard crew launch a daring rescue through a raging storm to save them."
- Regretting you (6.4/10)
This wasn’t as bad as I expected, surprisingly entertaining, though a bit too corny for my taste, and the acting was rough at times. I can see why critics disliked it while the Rotten Tomatoes audience score was so high. Dave Franco’s performance carried the film whenever he was on screen; beyond that, much of it felt pretty cringeworthy to me. It didn't feel like a total waste of time and it had a solid ending "When a devastating accident reveals a shocking betrayal, Morgan Grant and her daughter, Clara, explore what's left behind as they confront family secrets, redefine love, and rediscover each other."
- Steve (6.3/10)
This was an interesting concept for a film, and Cillian Murphy’s performance was top-notch. The rest of the cast also delivered strong performances. However, the film’s style didn’t really work for me. While the subject matter was intriguing, it wasn’t engaging enough to hold my attention, aside from one particular character. " A head teacher at a reform school struggles to keep his students in line while also battling with his own mental health issues."
- Sentimental Value (8.4/10)
This is a new Norwegian film, mostly in Swedish, featuring a strong cast led by Stellan Skarsgård, Renate Reinsve, and Elle Fanning, whose performances complement one another well. The film is deliberately slow-paced, so it may not appeal to everyone. I wouldn’t consider it a must-watch unless you’re someone who watches a lot of films and is struggling to find something new or likes dramas in different languages. " Sisters Nora and Agnes reunite with their estranged father, Gustav, a once-renowned director who offers Nora a role in what he hopes will be his comeback film. Nora turns it down, but soon discovers he's given the part to an eager young Hollywood star. The two siblings must now navigate a complicated relationship with Gustav while dealing with an American actress dropped right into the middle of their complex family dynamics."
- Frankenstein (7.0/10)
I don’t have much to say about this film, it was solid overall. I liked that it was split into three parts, which allowed the story to be viewed from different angles. No individual performance really stood out to me, but the acting across the board was good and no one dragged the film down. It’s entertaining and worth a watch if you’re already a fan of Frankenstein . " A brilliant but egotistical scientist brings a monstrous creature to life in a daring experiment that ultimately leads to the undoing of both the creator and his tragic creation."
- Tron: Ares (5.7/10)
I remember watching Tron: Legacy when I was 11 years old and thinking it was awesome, so I was genuinely excited going into Tron: Ares . Unfortunately, my expectations weren’t quite met. The storyline felt rushed, as if the audience was given too little time to fully understand the world, the background, or the characters themselves. At times, it played more like a quick CliffNotes summary than a fully realized film. While the action sequences were visually impressive, they were almost overwhelming, leaving little room for character development or emotional depth. On top of that, Jared Leto’s performance felt mediocre and didn’t add much to elevate the story. " Mankind encounters AI beings for the first time when a highly sophisticated programme, Ares, leaves the digital world for a dangerous mission in the real world."
- Die My Love (3.8/10)
This is the new Robert Pattinson and Jennifer Lawrence film that I really wanted to like but unfortunately, it just didn’t work for me. I found the storyline boring, and the way the film was shot simply wasn’t to my taste. I’m a big fan of both actors and genuinely think they delivered strong performances. At the same time, though, their work felt almost wasted here, as I couldn’t shake the feeling that just about any capable actors could have carried this film without changing the outcome. " Grace, a writer and young mother, is slowly slipping into madness. Locked away in an old house in Montana, her increasingly agitated and erratic behaviour leaves her companion, Jackson, worried and helpless."











